Atik reviPou manm yo sèlmanHaiti and the Black Romantics: Enlightenment in Color Prejudice in Alexandre Dumas’s Georges
Atik reviPou manm yo sèlmanThe Diasporic Re-membering Space of Jean Appolon’s Afro-Haitian Dance Classes
Atik reviPou manm yo sèlmanPa Manyen Fanm Nan Konsa: Intersectionality, Structural Violence, and Vulnerability Before and After Haiti’s Earthquake
Atik reviPou manm yo sèlmanHaiti’s 200-year Menage-a-Trois: Globalization, the State, and Civil Society
Atik reviPou manm yo sèlmanForging Lakou in the Grand Rue: A Polyphonic Reflection on a Collaborative Performance in Port-au-Prince
Atik reviPou manm yo sèlmanEmbodying Dantò, Performing Freda, Dancing Lasirenn: Yonel Charles’s Choreographic Elaborations of Ezili
Atik reviPou manm yo sèlmanRedefining Cultural, National, and Religious Identity: The Christian-Vodouist Dialogue?
Atik jounalPou manm yo sèlmanLa responsabilité éthico-morale des haïtianistes contemporains pour faire avancer le champ intellectuel des études haïtiennes